Diavola

April 1, 2024
Family drama, unspoken resentments, and something far more sinister simmer—but never reach a boiling point—in this lackluster ghost story from Thorne (Lute). Black sheep Anna Pace travels to Italy for a family vacation with her parents and adult siblings prepared to deflect and endure their judgments. As an unmarried, unambitious artist in her 30s, there’s no shortage of criticisms for the other Paces to throw her way. Anna weathers her sister’s need for control and her mother’s nagging comments, but as signs of a haunting appear around the villa they’re renting, the vacation devolves into one disaster after another. To make matters worse, when the Pace family looks into the history of the villa, they open some doors better left closed. Thorne paints in broad gothic strokes, incorporating all the major elements of the genre, from the spooky architecture to the blood and romance, but leaving things disappointingly underdeveloped. Anna’s snarky voice initially balances the darker elements but becomes grating as the story goes on. Eventually, her characterization descends into cliché: she’s smart enough to make everyone around her jealous, and though she’s supposedly unattractive, many of the male (and female) side characters lust after her. Seasoned genre fans will be disappointed. Agent: Katelyn Detweiler, Jane Grinberg Literary.