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Super-Infinite

The Transformations of John Donne

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**A Sunday Times top ten bestseller** **Shortlisted for the Sunday Times Young Writer of the Year Award 2023** **Shortlisted for the Duff Cooper Prize for Non-Fiction 2023** **Shortlisted for the Slightly Foxed First Biography Prize 2023** 'Masterly.' Observer 'Wonderful, joyous.' Maggie O'Farrell 'Frankly brilliant.' Sunday Times 'Unmissable.' Simon Jenkins 'Every page sparkles.' Claire Tomalin 'A triumph.' Matt Haig 'Stylish, scholarly and gripping.' Rose Tremain John Donne lived myriad lives. Sometime religious outsider and social disaster, sometime celebrity preacher and establishment darling, Donne was incapable of being just one thing. He was a scholar of law, a sea adventurer, an MP, a priest, the Dean of St Paul's Cathedral - and perhaps the greatest love poet in the history of the English language. In Super-Infinite, Katherine Rundell shows us the many sides of Donne's extraordinary life, his obsessions, his blazing words, and his tempestuous Elizabethan times - unveiling Donne as the most remarkable mind and as a lesson in living. Katherine Rundell's book Super-Infinite was a Sunday Times Bestseller w/c 16-04-2022
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    • Publisher's Weekly

      May 30, 2022
      Scholar Rundell (The Wolf Wilder) explores in this thoughtful biography the life and art of poet and priest John Donne (1572–1631), positioning him as an imaginative, witty, and sensual figure. Donne “reimagined and reinvented himself, over and over: he was a poet, lover, essayist, lawyer, pirate, recusant, preacher, satirist, politician, courtier, chaplain to the King, dean of the finest cathedral in London,” Rundell writes as she traces Donne’s life from his birth into a Catholic family during the strife of the Protestant Reformation through his formal education, appointment as a member of Parliament, marriage to Anne More (which got him thrown into Fleet Prison; More was a minor and her family didn’t approve the marriage), and his eventual renunciation of Catholicism for Anglican priesthood. Donne was keenly aware of sorrow, Rundell shows, and believed “we, humans, are at once a catastrophe and a miracle.” But he was also a biting satirist who mocked social expectations through his writing, and a romantic. (“The word most used across his poetry, apart from ‘and’ and ‘the’,” Rundell notes, “is ‘love.’ ”) Rundell’s prose is stylish and playful, referring, for instance, to Donne’s religious treatise Pseudo-Martyr as “so dense it would be swifter to eat it than to read it.” This comprehensive study is poetic in its own right; scholars, students, and poetry lovers, take note.

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