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The Secret Life

Audiobook
84 of 84 copies available
84 of 84 copies available
Andrew O'Hagan issues three bulletins from the porous border between cyberspace and the 'real world.' Ghosting introduces us to Wikileaks founder, Julian Assange, whose autobiography the author ghost-writes with unforeseen consequences. The Invention of Ronnie Pinn finds the author using the identity of a deceased man to construct an entirely new one in cyberspace. Finally, The Satoshi Affair chronicles the strange case of Craig Wright, the Australian web developer who may or may not be the mysterious inventor of Bitcoin.
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    • AudioFile Magazine
      Narrating these essays depicting three digital daredevils, Liam Gerrard rarely lets his voice deviate from the evenhanded delivery of a professional newscaster. But on occasion, the details are so strange that even Gerrard's professional tone diverges to incredulity. Surrounding each featured Web icon is a smokescreen that blurs each one's essential unlikability. WikiLeaks founder Julian Assange is an insufferable egotist with bad hygiene and atrocious table manners. Ronald Pimm, O'Hagan's fictional rogue avatar, acquires assault rifles, opioids, and health insurance. The essay about Craig Wright, who claims to be the creator of Bitcoin, repeats the same disturbing point of the previous two: As great as the Web may be at explaining and exposing our world, it's far better at manipulating the truth and cloaking identities. R.W.S. © AudioFile 2018, Portland, Maine
    • Publisher's Weekly

      Starred review from July 17, 2017
      This splendid collection from novelist O’Hagan (The Illuminations) brings together three essays originally published in the London Review of Books that explore identity in the digital age through three figures: Julian Assange, the founder of Wikileaks; Craig Steven Wright, who may or may not be the creator of bitcoin; and Ronald “Ronnie” Pinn, who, despite a U.K. passport, mailing address, and gaggle of Facebook friends, is not real. The piece on Assange would be the standout in an ordinary essay collection, but this is not one of those, and O’Hagan’s study of the Australian hacker, for whom he once ghostwrote the first draft of an autobiography, while absorbing, pales in comparison with the profile of Wright (who comes across as an eccentric but altogether more likable character than the narcissistic Assange). But it is Ronnie Pinn, a digital identity created by O’Hagan based on a name from a headstone, whose pseudoexistence says the most about who we are now. O’Hagan’s grasp of storytelling is prodigious, and the ending of his essay on Pinn is a particularly inspired, even moving, piece of writing. Taken as a whole, this is an unmissable collection of up-to-the-moment insights about life in our digital era. Agent: Peter Straus, Rogers, Coleridge & White (U.K.)

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  • English

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